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Entertainment

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Heart of the action: why organ couriers are cinema’s new heroes

The Guardian· 2 weeks ago
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Nessun Dolore review – sketchy Roman fable of liberal white guilt

The Guardian· 2 weeks ago
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‘Why not try to be the best in the world, just for the fun of it?’ Art Garfunkel on a rich, restless life – and reconciling with Paul Simon

The Guardian· 2 weeks ago
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Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered

The Guardian· 2 weeks ago
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As AI madness encroaches, we need human connection more than ever. But we’ll have to fight for it | Van Badham

The Guardian· 2 weeks ago
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15/18 A Place to Heal review – heartfelt docu-realist study of a French teen psychiatric facility

The Guardian· 2 weeks ago
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‘Like a tired boxer, battered by applause’: as Andrew Scott’s biopic premieres, Richard Eyre remembers Ian Charleson’s superb, near-death Hamlet

The Guardian· 2 weeks ago
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The Basics of Philosophy review – Paul Schrader back to his cool, cruel best

The Guardian· 2 weeks ago
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Tender Loving Care review – Mike Leigh’s tender and elusive study of love and mortality

The Guardian· 2 weeks ago
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A Long Winter review – hope, desire and subversion in Andrew Haigh’s beautiful winter western

The Guardian· 2 weeks ago
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‘There is light at the end of this tunnel. But the tunnel is filled with sewage’: Marina Hyde on finding hope in political chaos

The Guardian· 2 weeks ago
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Blind date: ‘Bizarrely, she suddenly realised she knew my daughter’

The Guardian· 2 weeks ago
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